Netflix stirs fears by using AI-assisted background art in short anime film

stills from short films
Expanding / stills from short films dog and boyuseful for generating background artwork using image compositing.

netflix

Over the past year, generative AI has sparked a wave of existential fear of potential machine job losses not seen since the advent of the industrial revolution. On Tuesday, Netflix reinvigorated that scare when it debuted its next short film. dog and boy Useful for generating background artwork using AI image synthesis.

Directed by Ryotaro Makihara, the 3-minute animated short follows the hilarious times of a boy and his robot dog, but the story quickly takes a dramatic post-apocalyptic turn. In the middle, it includes a lush background that appears to have been created as a collaboration between humans and machines, and in the end he credits his sequence with “AI (+ Human)”.

in the Announcement tweetNetflix cited a labor shortage in the industry as a reason for using image synthesis technology.

As an attempt to support the anime industry, which is suffering from a labor shortage, we created a background image for all cuts of a 3-minute video using video generation technology!

Netflix and production companies wit studio turned to Japanese AI company Rinna to help generate the images. The exact type of technology Rinna used to generate the artwork was never announced, but the process was “utilizing Stable Diffusion,” in that images could be taken and transformed based on written prompts. img2img” process.

The movie is now available to watch for free on YouTube.

netflix official dog and boy promotion video.

Almost immediately, Twitter users responded with a barrage of negative replies to Netflix’s tweet announcing the film. like thatI know a lot of animators looking for work.“some other quoted Legendary Studio Ghibli animator Hayao Miyazaki has said that AI-powered art is “an affront to life itself.”

In a news release, Netflix expressed hope that new technology will help animation production in the future (translated by Google Translate). The animation industry faces a shortage of human resources, and we hope that this initiative will contribute to the realization of a flexible animation production process through appropriate support for creators who make full use of the latest technology. “

Makihara also wanted to push the boundaries of animation by using AI technology as part of the production process. The Netflix release says, “By combining tools and hand-drawn techniques, you can create something unique to humans… I think the crux of the story is ‘painting humans’. Secure and return to its roots.” By doing so, I think we can ultimately strengthen the strengths of Japanese animation and expand its possibilities. “

Labor shortage or not, AI assistance could speed up production time and reduce production costs, potentially enabling more animated content to be created than ever before. But will people be satisfied with that? I don’t know yet.



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